Refusing To Look Through Galileo's Instrument
Because the only reality is in the 9/11 bible.
11 Reasons Why The 9/11 Fable is So Popular
"1. The bigness of the lie. Adolf Hitler said: "Make the lie big, make it simple, keep saying it, and eventually they will believe it." William Hazlitt said, "the greater the lie, the more enthusiastically it is believed and greedily swallowed." And Hannah Arendt said:
3. Most people are children who are easily controlled by fear and mentally guided by authoritative rhetoric. They will believe any absurdity if voices of authority tell them it is true. Authority is their father, and government is their mother. The State is infallible to them. They are psychologically incapable of mental rebellion and of questioning government stories and government statements."
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I find that when I come across individuals that make a priori, self evident statements that parrot the official fairy tale about 9/11, I just stop talking to them. To me black Tuesday serves as a useful indicator of those peoples' mental capacity and world outlook. I have a family member who will absolutely, not even for a second, countenance the thought that the government had anything to do with it. They are indeed children.
11 Reasons Why The 9/11 Fable is So Popular
"1. The bigness of the lie. Adolf Hitler said: "Make the lie big, make it simple, keep saying it, and eventually they will believe it." William Hazlitt said, "the greater the lie, the more enthusiastically it is believed and greedily swallowed." And Hannah Arendt said:
This doubt of people concerning themselves and the reality of their own experience only reveals what the Nazis have always known: that men determined to commit crimes will find it expedient to organize them on the vastest, most improbable scale. Not only because this renders all punishments provided by the legal system inadequate and absurd; but because the very immensity of the crimes guarantees that the murderers who proclaim their innocence with all manner of lies will be more readily believed than the victims who tell the truth. (The Portable Hannah Arendt; pg. 120).
2. Mythical archetype of Osama Bin Laden and Islamic terrorists. Osama Bin Laden's iconic image and the creed of Islamic jihad against Western civilization is exciting historical material. It makes for a good Hollywood script. People are captivated and scared at the thought of Muslims rising against their oppressors, striking at the heart of the West and destroying America's two biggest cultural artifacts, the Pentagon and World Trade Center. But it is fiction, not reality.
The imperial masters of fiction crafted the Osama Bin Laden myth to symbolically represent the new spirit of the times and the changing nature of the global order in the post-Soviet Union collapse.
How do you lead a disoriented and leaderless mob? The Neocons, CIA, Mossad, and MI6 know the trick. You put your own manufactured revolutionary figurehead in front of the mob to mislead it and misdirect it towards violence and vengeance. In this case that figurehead is Bin Laden. This trick works the same in every society and in every age. Getting in front of the mob with a flag and a simplistic creed to follow is one of the ancient tricks of statecraft.
3. Most people are children who are easily controlled by fear and mentally guided by authoritative rhetoric. They will believe any absurdity if voices of authority tell them it is true. Authority is their father, and government is their mother. The State is infallible to them. They are psychologically incapable of mental rebellion and of questioning government stories and government statements."
more
I find that when I come across individuals that make a priori, self evident statements that parrot the official fairy tale about 9/11, I just stop talking to them. To me black Tuesday serves as a useful indicator of those peoples' mental capacity and world outlook. I have a family member who will absolutely, not even for a second, countenance the thought that the government had anything to do with it. They are indeed children.
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